Tag Archives: Libraries

The 10-Minute Library Advocate #11: Sign Up to a Blog or Newsletter About Library-Related Issues

The 10-Minute Library Advocate #11: Sign Up to a Blog or Newsletter About Library-Related Issues

Advocacy is about seeing the bigger picture.

To convince others of the value and importance of your work, you need to understand the context in which they work.

What are the major issues, the major trends, the hot topics?

If you know these, you can make your arguments more relevant. Are people worried about ‘fake news’? You can talk about how libraries provide reliable info. Are people worried about the cost of learning? You can talk about how libraries make this accessible for everyone.

But how to follow the issues?

For our eleventh 10-Minute Library Advocate exercise, sign up for a blog or newsletter about library related issues.

This could be run by your library association, or another one. You could find another organisation that writes about information issues, or even a specialised newspaper.

Of course, we also encourage you to read IFLA’s policy and advocacy blog when you can!

If you have favourites, share them here!

Good luck!

 

See the introduction and previous posts in our 10-Minute Library Advocate series and join the discussion in social media using the #EveryLibrarianAnAdvocate hashtag!

The 10-Minute Library Advocate #10: Take a Great Photo of Your Library at Work

The 10-Minute Library Advocate Number 10: Take a Great Photo of Your Library at Work

Pictures are powerful.

They can both illustrate and support text, but also help make things real.

This certainly goes for libraries. They can show activity, a pleasant space, great resources, and help people you’re talking with imagine themselves there.

They are an important tool for advocacy, even more so with the rise of social networks and other online means of communication.

So for our tenth 10-Minute Library Advocate exercise, take a great photo of your library at work.

Make sure it shows something positive and attractive that will support your advocacy.

Ideally, and if they (or their parents, if they are children) are happy to be photographed, include users!

If you’re not a great photographer, try and find a colleague or user who is. There may be a local photography club – you could start a competition. Make sure you get permission to use the photo of course.

You can find some great hints about photos in the Library Map of the World Storytelling Manual.

Once you’ve got your photo (or photos!), you can start to make your website, social media presence and other advocacy tools more lively.

Good luck!

 

See the introduction and previous posts in our 10-Minute Library Advocate series and join the discussion in social media using the #EveryLibrarianAnAdvocate hashtag!

The 10-Minute Library Advocate #9: Learn a Great Library Story

The 10-Minute Library Advocate Number 9: Learn a Great Library Story

Our latest 10 Minute Library Advocate idea comes thanks to Sue McKerragher of the Australian Library and Information Association. Thank you Sue!

Statistics are powerful, but so too are stories.

This is because the people you are trying to influence do not always think in the same way. Some are more analytical, some are more focused on emotional responses.

For the latter (and there are a lot of them!), a single anecdote can provoke a stronger reaction than percentages or big numbers.

The best thing is to have a combination. If you have only numbers, you’re likely to have an instant impact, but your point won’t stick. If you add a meaningful story of how the library service or program changed someone’s life for the better, the data is much more memorable.

So for our ninth 10-Minute Library Advocate exercise, think of a story which shows the impact of libraries on a human level.

You can find examples of stories on IFLA’s Library Map of the World, and ideas on the ingredients of a great story in our publication Libraries and the Sustainable Development Goals: A Storytelling Manual (check out also our recently launched SDG Storytelling Flowchart).

You can then combine these with numbers. For example, in Australia, when libraries together advocacy reports, submissions to government inquiries, grant proposals, and so on, they always try to include both. They make sure to include photos of real people where possible. You will find examples of this in the report on Australian libraries supporting the Sustainable Development Goals.

Using numbers, stories and pictures, you’re appealing to all kinds of thinkers, whether analytical or visual, and you’re giving politicians, decision-makers and influencers something they can pass on to others.

Good luck!

See the introduction and previous posts in our 10-Minute Library Advocate series and join the discussion in social media using the #EveryLibrarianAnAdvocate hashtag!

The 10-Minute Library Advocate #8: Think of a Partner You Can Work With

Think of a Partner You Can Work With

No library is an island!

Your library is an important part of the community you serve. And within that community there should be other people or groups who understand what you do and support you.

This is the case, whether you’re in a public or community library serving a local area, or a library serving the members of an institution such as a university or government department.

One way for them to show their support is by helping you in your advocacy activities. They can echo your messages, let others know why your work is important, or even provide honest feedback that will allow you to improve.

So for our eighth 10-Minute Library Advocate exercise, think of a partner you can work with.

It could be an individual (such as a teacher, professor, local author or journalist), an institution (such as a school, an NGO, or even a government agency) or a group (a club that uses your library, or a research team).

If you can think of more than one, that’s great! Write them down, alongside a few words to describe them and how they can help.

Good luck!

See the introduction and previous posts in our 10-Minute Library Advocate series and join the discussion in social media using the #EveryLibrarianAnAdvocate hashtag!

The 10-Minute Library Advocate #7: Define A Long-Term Goal for your Library

Define a Long-Term Goal for Your Library

If you want to move forwards, you first need to know where forwards is.

In order to ensure that the time and effort that you put into advocacy for your library is well used, it’s important to have an idea of your long-term goal.

It should provide a guide to your work, and help you think about whether what you are doing is succeeding or not. It can be an excuse to stop doing things when they are not contributing to your goal.

So for our seventh 10-Minute Library Advocate exercise, think of a long-term goal for your advocacy work for your library.

Your choice will of course depend on your context. Given that you’re focusing in this exercise on your own library, it may be about changing regulations that decide what you can or can’t do, about financing, or even about building support for your services within your community.

It should be ambitious (you want to improve on the current situation), but also realistic (you don’t want failure to be inevitable). If it helps, you can use the SMART framework.

Crucially, it should be something you can easily remember and refer to in your work!

Good luck!

See the introduction and previous posts in our 10-Minute Library Advocate series and join the discussion in social media using the #EveryLibrarianAnAdvocate hashtag!

Fair’s Fair: How Fair Use and Fair Dealing Provide a Balanced Approach

Fair's Fair: How to find the balance between protections for creators and practicality for users?

In those countries where the introduction or extension of fair use or fair dealing is on the agenda, there is often a claim that this will lead to the end of payments for use of works. In South Africa, for example, those opposing the proposed reforms have implied that fair use will allow universities to copy any textbook, in its entirety, a large number of times, without compensating the author or publisher.

This is simply wrong.

Nonetheless, it is true that much advocacy in favour of fair use or fair dealing does focus on how these will enable libraries to make new uses of works without needing to seek and obtain permission.

Therefore, to provide clarity about the reality of fair use and fair dealing, and to show that it is certainly not the free-for-all that some like to suggest, this blog explores examples of where courts have tested the principle, and found uses (or dealings) not to be fair. It does not, of course, offer a judgement on the merits of the decisions taken, but underlines that limits do exist.

 

Purpose: Not Everything Goes

A key element in deciding whether use or dealing is fair is the purpose of the use. While fair dealing implies a much more restrictive approach to this question – for example, it’s only permissible to use works for activities such as research, private study, education, criticism or satire – this is also the first ‘factor’ to consider in taking fair use decisions.

Making copies for a commercial purpose, especially when there are no major changes to the work, tends to count against fairness. A number of US judgements (Princeton Univ. Press v. Mich. Document Servs., Inc., Basic Books, Inc. v. Kinko’s Graphics Corp., Blackwell Publ’g, Inc. v. Excel Research Grp.) all underline that even if the goal is to support education, if the copying is carried out on a commercial basis, this can count against fair use. In Basic Books in particular, the judges noted that there was no compelling educational reason to copy without making payment, for example.

Similarly in New Zealand, Television New Zealand vs Newsmonitor also highlighted that commercial uses or works, without major changes tend to lead to a decision against fair dealing. There is a similar conclusion in De Garis and Moore v Neville Jeffress Pidler Ld, an Australian case where a newspaper publisher had copied and distributed articles by journalists without seeking permission or making payment.

In fair dealing jurisdictions in particular, it is important to be able to show that the purpose is one of those covered by legislation. For example in Australia, in University of New South Wales vs Moorhouse, the judge underlined that there was no guarantee that the copying was carried out for educational purposes. In Canadian Copyright Licensing Agency v. York University, the court gave attention to the question of whether copying without paying licences in fact benefitted the university in terms of student recruitment.

It’s not only a commercial purpose that can support a decision of a use not being fair. In the case of Toksvig vs Bruce Publishing, the copying of one person’s biography of Hans Christian Andersen merely in order to save time in preparing another helped lead to a judgement against fair use. Similarly, in Marcus v. Rowley, the extensive copying of a recipe book in part failed the purpose text because the defendant’s book was used for the same purpose as the original.

 

Amount: Not Having it All

The claim heard in South Africa that fair use would lead to the copying of entire textbooks dramatically ignores the importance of judging whether the amount of a work copied is fair. This is calculated not only in pure percentage terms, but also in terms of whether it includes the ‘heart’ of the work.

There are a number of US cases involving copying of exam test questions which have found that even the most minimal copying (of one question for example) represents a serious amount of a work (Ass’n of Am. Med. Colls. v. Mikaelian and Educ. Testing Serv. v. Katzman). Similarly in the Georgia State case, the judge in the 2016 opinion highlights that even copying as small a share as 3.24% of a book can count as excessive, especially when whole chapters are involved. Indeed, the case often seen as the origin of Fair Use, Folsom v. Marsh, involved a judgement against the fairness of copying 353 pages of one book to create another one.

Outside of the US, decisions on fairness also underline that the amount copied is a serious issue. Civic Chandran vs Ammini Amma in India paid specific attention to the length of extracts (although in this case found in favour of fairness). The negative judgement against York University underlined that setting a threshold did not offer a valid means of assessing fairness, compounded by the number of copies being made.

In Moorhouse, in Australia, the judge also stressed that the amounts being copied could well be too high to be fair. Meanwhile in the UK, Ashdown v Telegraph Group quotes Laddie, Prescott & Vitoria, The Modern Law of Copyright and Designs, in order to suggest that the copying of non-insignificant parts can count against fair use – in this case deciding that a newspaper’s use of a politician’s diaries was excessive.

 

Market Impact: Do Not Compete 

The impact of use or dealing on the market for the original is a crucial factor. Courts have regularly found that competing with the original can support a judgement against fairness. A recent example is in the Capitol Records LLC vs. ReDigi Inc. case, where a site allowing people to sell on digital music was seen as directly reducing sales for the (more expensive) originals. Indian law, for example, also underlines that impact on sales is a key factor to consider.

There are also various US examples where courts decided that extensive (and free) copying of works was unfair when buying an original or acquiring a licence would have been possible (Princeton Univ. Press v. Mich. Document Servs., Blackwell Publ’g, Inc. v. Excel Research Grp.). Decisions have also gone against companies which have encouraged research employees to take copies of works rather than paying for them (Am. Geophysical Union v. Texaco, Inc.).

The commercial impact does not need to be high for a negative finding on this factor. For example in Georgia State, even a potential loss of only $34 was seen as enough to justify finding against the university. Decisions have also gone against users even when they are non-commercial, such as in the case of Encyclopedia Brittanica Educ. Corp. v. Crooks, where the sharing of recordings of educational programming was nonetheless deemed to reduce the market for the original.

In some cases, a use may not compete, but it does harm the market for the original, for example by reducing its value. This has been a factor in cases involving publication of exam questions (Ass’n of Am. Med. Colls. v. Mikaelian and Educ. Testing Serv. v. Katzman). It has also applied when the publication of a PhD thesis on a library website effectively prevented a student from taking his work to another university to complete his research there (Diversey v. Schmidly). The same goes in the case of Ashdown v Telegraph Group in the UK, which found that publishing diaries would reduce the value of a politician’s memoirs in due course.

It is worth noting, of course, that courts have underlined that the fact of a work being commercially available in some form does not necessarily make use or dealing unfair. For example, buying a whole book when a student only needs one chapter may not be reasonable. Similarly, just because a licence exists, it doesn’t mean that any use without obtaining a licence is unfair, as set out in York University. However, if the alternatives are reasonable, or the user does not make an effort to identify them, then this may weigh against fairness.

 

Conclusion: Far from a Free-For-All

It is clear from the above that fair use and fair dealing are a long way from the licence to copy that is sometimes claimed. In the decisions noted above, courts have shown that they are serious about ensuring that fair means fair, and in doing so have created a jurisprudence that serves as a guidance for others.

Clearly, in addition to the laws themselves, there is also an obligation to take responsible precautions. Indeed, libraries are usually very careful in applying the law, with respect for intellectual property, a part of the IFLA Code of Ethics. Courts have been ready to decide against libraries where they judge that not enough care has been taken, for example in University of New South Wales vs Moorhouse in Australia. Yet the scarcity of cases targeting libraries implies a strong focus on respecting the rules.

Of course, there is also the accusation that fair use is merely the right to hire a lawyer. This would be to imply that there is no need to go to court under other systems, which is of course absurd. Instead, as the examples above underline, fair use and fair dealing have seen the emergence of a set of jurisprudence that offers rightholders effective protections, while at the same time allowing for a degree of flexibility that can reduce the need for new judgements and legislation every time technologies and uses change.

 

CORRECTION: Reference has been removed to Code Revision Comm.v. Public.Resource.Org, where on appeal, it was found that copying and making available of public legal information was fair.

The Good, The Bad and (Avoiding) the Ugly: A Way Forwards on the Copyright Directive

Discussions around the European Union’s draft Directive on copyright in the Digital Single Market are as tense as ever. Strong divisions have emerged between and among Member States and Members of the European Parliament around controversial proposals for a new press publishers’ right (Article 11) and an (effective) obligation on internet platforms to filter content (Article 13).

These disagreements stand in contrast to the consensus that has emerged around other provisions in the Directive, which will help libraries and cultural heritage institutions in their work to promote innovation, support education and enable preservation and access to heritage.

Such measures, in line with the EU’s own international obligations, cause no unreasonable prejudice to rightholders, and indeed will support creativity and discovery.

The fear must be that a failure to find agreement on Articles 11 and 13 will lead to calls for the rejection of the Directive as a whole. This would be a huge loss for innovation, education and heritage in Europe, and would be hard to explain to Europe’s voters, given the public support for such measures received from all sides of the debate so far.

This blog offers more detail on the situation so far, and sets out the case for avoiding this worst-case scenario.

 

The Good, The Bad and the Ugly. ACJ1, CC-BY-NC-SA https://www.flickr.com/photos/ajc1/4684652569The Good – Achievements So Far

The draft Directive already contains a lot of good. Starting from a reasonably positive base in September 2016, discussions among MEPs and Member States have led to improvements in provisions around text and data mining, teaching, preservation, and out-of-commerce-works – Articles 3-9.

If these elements of the Directive pass, EU citizens will:

  • Be able to engage much more easily in text and data mining. This will provide a significant boost to research into Artificial Intelligence in particular, at a time when Europe risks being left behind other countries who have been far more ready to update their legislation.
  • Have more opportunities to learn using digital tools, including in libraries. This will further democratise education, and help ensure that everyone can continue to learn throughout life.
  • Continue to enjoy access to Europe’s cultural heritage into the future, thanks to changes that will give libraries and cultural heritage institutions the clear right to take digital copies of books and other materials for preservation purposes.
  • Gain new access to works which are in-copyright but out-of-commerce, and so otherwise can only be found within the walls of libraries.

This is a good result, in and of itself. It will offer important clarity to libraries and cultural heritage institutions and allow them to fulfil their missions in the digital age. It will break down one of the most significant barriers to realising the potential of text and data mining, a Commission priority since 2012.

Moreover, given the EU’s own international obligations under the Berne Convention, it will not cause any unreasonable prejudice to authors. Instead, today’s authors will benefit from wider discovery of their work, including the rediscovery of works which are no longer in print. The authors of tomorrow will find it easier to read, study and innovate.

This is not to mention other elements of the text on the table that will provide additional rights to authors, including the possibility to reclaim rights and to benefit from greater transparency about revenues made on the basis of their work.

These provisions have enjoyed a large degree of consensus, with agreement relatively early on in discussions between Parliament and Council. Stakeholders from all sides of the discussion have been ready to signal their support for these steps, or at least their readiness to accept them.

 

The Bad – Sticking Points

However, it has long been clear that not all of the Directive is consensual. The two most contentious elements – Articles 11 and 13 – look to create new rights or rules for situations which are arguably specific to individual markets, and indeed individual providers – the situation of newspapers faced with GoogleNews, and of record companies faced with YouTube.

As has been argued repeatedly, the proposals on the table – a new right over very short fragments of text from newspapers, and an obligation on all online platforms to filter content uploaded by users – are likely to make the problem worse.

Not only will they strengthen the hand of the existing dominant players (who are best placed to negotiate with content producers, introduce filters or make payments), but they risk causing major collateral damage, for example to educational and scientific repositories run by libraries.

It is therefore unsurprising that there is so much disagreement about these articles.

Most recently, and just days after the agreement of a new Treaty between the countries, France and Germany disagreed about whether smaller internet platforms should be excused from the obligation to filter all user content for potential copyright infringement.

Even though this particular dispute has been agreed, there are many more still open, underlining how flawed the approach to these articles currently is.

In short, while there is support for effective ways of sustaining high quality journalism and curtailing illicit uses, the proposals on the table are not the answer.

 

The Ugly – The Nuclear Option

There are crucial meetings due in the coming days which aim to find a way forwards. Steps have been made to create some minor flexibilities in Articles 11 and 13, for example to reduce the burden on small platforms, as well as limited protections for the educational and scientific repositories that support open access and open educational resources.

Friends scene. Source: https://devrant.com/rants/1546587/this-will-happen-in-java-when-you-declare-the-class-with-wrong-nameHowever, there are already complaints from some who had previously supported Articles 11 and 13, who are unwilling to accept anything less than the highly flawed original proposals.

Most worryingly, these calls are accompanied by demands to reject the entire Directive.

This would be the worst of all worlds. All of the progress already made to date on Articles 3-9 would be at risk, despite already having been subject to consensus. The years of work that have gone into these would potentially be lost, and with it an opportunity to support clear public interest goals in Europe.

As an election approaches, it would be difficult to explain to voters why a flagship piece of legislation has been sunk, merely because there was disagreement on one part.

It is therefore time to reflect on the value of delaying those parts of the Directive which are clearly not yet mature, and proceeding with those that are. This would allow the European Union to chalk up a useful ‘win’.

Instead of rushed discussions now, a full and holistic discussion on how to achieve these goals, reviewing all relevant policy tools, is needed, and could be a useful job for the next Parliament.